FEBBRAIO
2023 |
MARZO
2023 |
BLACK DOG
"Music for real airports"
Music for Real Airports
is a multimedia art project by musicians the Black Dog and interactive
artists Human which is presented in art galleries. It is also a new
CD of music by the Black Dog. It is a response to the reality of occupying
the semi-public space of an airport, and a contemporary reply to Brian
Eno’s work from the ‘70s. Composed in large
degree of drones there is little in the way of beats until half way
through - but rhythm is plentiful within the buzzing synthetic warmth.
This record is not necessarily a comfortable listen.
[
file under: ambient music for ]
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AFTAB, IYER,
ISMAILY
"Love in exile"
Love In Exile asks
you to step inside its sense of time, to stretch out alongside these
delightful and unhurriedly unfolding songs. Profound impact is achieved
with minimal instrumentation: Vijay Iyer on pianos and electronics,
Shahzad Ismaily on bass and Moog synth, and Arooj Aftab’s exquisite
Urdu vocals. Subtle musical interrelationships build into moments of
deeply felt drama. Shimmering keyboard melodies and stirring vocals,
earthy basslines, and hypnotic drones: together they create an album
of stunning gravitas and beauty.
[
file under: world music ]
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HAMMOCK
"Love in the void"
Breaking from the strange
monotony and abnormal norms that took hold during two years of pandemic
life, Hammock returns with Love in the Void, an album that looks to
the future, seizes the present, and unabashedly relishes the experiences
and bonds that bring meaning to our days. Known for crafting orchestral
works of stirring cinematic ambience, on Love in the Void the Nashville-based
duo of Marc Byrd and Andrew Thompson bring guitar-forward, heart-pounding
urgency to songs that shout through and shatter the static of complacency.
[
file under: alt post 'gaze ]
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LUCINDA CHUA
"Yian"
YIAN means swallow
in Chinese, and is part of Siew Yian, the name given to Chua by her
parents to preserve her connection with her Chinese heritage. Just as
the migratory songbird lives between places, so did Chua, the artist
living in the in-between of the English, Malaysian and Chinese cultures
that make up her heritage. In the absence of Mandarin as a mother tongue,
music became a way to express the parts of herself that couldn’t
be described in words; YIAN emerged as a way to heal. A
deeply introspective and fully realized vessel of creative expression
(Chua self-produced and engineered eight of the ten tracks), YIAN emerges
as less an album than a worldview, a commitment to learning and uncovering
one’s own selfhood honed over Chua’s lifelong reconciliation
with her own personal history and identity.
[
file under: contemporary ]
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KELELA
"Raven"
In an age of constant
engagement, silence and introspection can seem like the most daunting
thing. For Kelela it was a necessary step, and a rewarding one. Her
highly acclaimed 2017 debut album Take Me Apart helped to build a music
world celebrating Black and queer club culture, and the following hiatus
was a palpable one. Now, the wait for Kelela’s much anticipated
return is over, with her second album Raven documenting not only her
withdrawal, but also her magnificent rebirth.
[
file under: new warp sounds ]
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DECLINING WINTER
"Really early, really late"
For over 30 years
Richard Adams has been quietly documenting his own particular corner
of the English countryside both with Hood, the post-rock band he formed
with his brother in 1991, and since 2007 with The Declining Winter.
Recorded over a five year period and inspired by rustic alternative
treasures such as Talk Talk and Robert Wyatt, The Declining Winter’s
latest work ‘Really Early, Really Late’ is a collection
of beautiful songs, immersed in a richer sonic spectrum incorporating
strings, horns and lush electronic textures, alongside Adams’
own unique guitar tones and characteristic dubby bass.
[
file under: alt post-rock ]
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LADYTRON
"Time's arrow"
Driven by analogue
synths, distorted chimes and hallucinogenic soundscapes, Ladytron crash-landed
into electroclash at the turn of the century, using the dancefloor as
a bridgehead to the collective unconscious. On Time’s Arrow the
group add new richness, distant shimmers and a shoegaze-adjacent glow
with Helen Marnie and Mira Aroyo’s trademark understated voices
now inhabiting a space somewhere between cloudscape and dream.
[
file under: electro pop ]
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YASMIN LACEY
"Voice notes"
Debut album Voice Notes
is yet another record of those moments. It follows on from three stunning
EP’s; Black Moon (2017), When The Sun Dips 90 Degrees (2018) and
Morning Matters (2020), a trilogy of sorts, named in part by the settings
in which they were written. Voice Notes is similarly inspired by something
that helped the album spring to life. A long-held tool of her music-making
and way of sharing melodies with collaborators, it’s a method
of communication deeply special to her. “For me, a voice note
represents an immediate reaction to something,” she says. “[It’s]
unfiltered and raw in the way that you can hear it.
[
file under: nu soul ]
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LOSCIL &
LAWRENCE ENGLISH
"Colours of air"
The union of composers
Lawrence English and loscil aka Scott Morgan is seamless, sublime, and
long overdue. Born of a conversation centered on the notion of “rich
sources” as a forge for electronic music, Colours Of Air is a
collection of recordings of a century old pipe organ housed at the historic
Old Museum in Brisbane, Australia, which were then processed, transformed,
and elevated into eight majestic electro-acoustic threshold devotionals.
[
file under: ambient drone ]
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NOSAJ THING
"Continua"
Los Angeles producer
and artist Nosaj Thing AKA Jason W. Chung returns with his fifth album,
Continua, featuring a stellar ensemble cast including Toro y Moi, Kazu
Makino (Blonde Redhead), serpentwithfeet, Sam Gendel, Coby Sey, Julianna
Barwick, Mike Andrews, Slauson Malone, Pink Siifu, Panda Bear &
Eyedress.
[
file under: downtempo ]
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NECKS
"Travel"
Travel, the 19th studio
album by Australian improvisational trio The Necks, documents their
recent practice of starting each day in the studio with a 20-minute
trio improvisation. The recordings offer some of their most ecstatic
and captivating music cut to tape. As bassist Lloyd Swanton puts it:
“It’s a really nice communal activity to bring us together
in focus each day, and some lovely music has resulted from it.”
Although a straight “live” improvisation has never been
recorded in the studio by the band, these tracks (save for some light
overdubs and post-production) feel closest to their 30 years of celebrated
live performances.
[
file under: experimental ]
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BRIX SMITH
"Valley of the dolls"
After many years making
music with other People, Brix Smith (The Fall, The Extricated) has finally
made a solo album. This vivacious album mixes garage rock, power pop
and grunge, nodding in the direction of bands such as The Breeders and
Hole. Includes guest appearances from The Bangles’ Susanna Hoffs
and former Shakespeare’s Sister and Bananarama member Siobhan
Fahey.
[
file under: alt indie pop ]
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BIANCA SCOUT
"The heart of the anchoress"
Bianca Scout's innate
sense for narrative has been the guide for every sculpting gesture.
Incidental sounds (the creaking of the pump organ, the sirens of the
metropolitan police) are prized and serve to ground us in place, while
Scout’s emergent, mantra-like songs succeed in opening portals
to heavenly vistas, where scenes of golden-hour/after-hour intimacy
softly unfold.
[
file under: modern classical ]
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TREES SPEAK
"Mind maze"
Mind Maze is, amazingly,
Trees Speak’s fifth album to be released on Soul Jazz Records
in the space of little over two years – an output matched only
by the intensity of their music created during this short time. // As
with all their previous releases, Mind Maze is a mind-boggling tightrope
walk across an array of musical influences that seamlessly create the
unique present-day world of Trees Speak. The band’s sound is characterised
by a combination of German krautrock motoric-beat rhythms, angular New
York post-punk attitude, 60s spy soundtracks, psych, rock, jazz, and
70s synthesizers and vocoders.
[
file under: experimental ]
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ANDY SHAUF
"Norm"
Norm is the eighth
studio album from Canadian singer-songwriter Andy Shauf, who with each
record seems to get ever nearer to critical mass in terms of both popularity
and artistry. Conceptually based around the titular character ‘Norm’,
its themes are introduced with shiny, clean-cut tones that gradually
unravel and become more sinister. For fans of Sufjan Stevens, Mac DeMarco
and Joanna Newsom.
[
file under: indie pop ]
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DWIGHT TRIBLE
"Ancient future"
Today, the inimitable
jazz vocalist, activist, and nominal godfather of the LA jazz scene,
Dwight Trible, returns with the announcement of his new album “Ancient
Future”. Out 17th March via London jazz aficionados and analog
specialists Gearbox Records , the new record follows his critically
acclaimed album “Mothership”, which was released in 2019
and saw him collaborate with the likes of Kamasi Washington, Mark de
Clive-Lowe, Miguel Atwood-Ferguson, and more. New album features special
guests Kamasi Washington, Georgia Anne Muldrow, Greg Paul, Megashia
Jackson, G. E. Stinson, Andrew Gouché, John Beasley and Rene
Fisher.
[
file under: space jazz ]
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SUNROOF
"Electronic music improvisations vol. 2"
Electronic Music Improvisations
Vol. 2 is the second collection of improvised modular pieces recorded
by Sunroof, aka Daniel Miller, the Founder and Chairman of Mute, and
Gareth Jones, a producer and engineer, notable for working with Depeche
Mode, Einstürzende Neubauten, Erasure and Yann Tiersen. The album
was recorded through 2022.
[
file under: xxxxx ]
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KALI UCHIS
"Red moon in Venus"
Grammy Award Winner,
Kali Uchis’ 3rd studio album Red Moon In Venus out March 3rd on
Geffen Records.
The album features new single I Wish You Roses. Love is the message.
Red Moon in Venus is a timeless, burning expression of desire, heartbreak,
faith, and honesty, reflecting the divine femininity of the moon and
Venus.”
[
file under: hip & soul ]
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TENNIS
"Pollen"
“We name the
album Pollen. It is about small things with big consequences: a particle,
a moment, a choice. It is me in a fragile state; sometimes inhabited
freely, sometimes reacted against. It is striving to remain in a moment
without slipping into dread. It is about the way I can be undone by
a very small thing.”
Tennis is Alaina Moore and Patrick Riley. Pollen is
their sixth album.
[ file under: dream pop ]
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NICK WALTERS
"Padmasana"
Trumpeter, composer,
bandleader & producer, Nick Walters delivers his 2nd studio album
of the year for D.O.T. Records, an exquisite mix of jazz fusion, electronic
and traditional Indian sounds. Padmasana is inspired and constructed
from experiences and samples he encountered whilst travelling around
the Indian subcontinent. It was all pieced together at his studio in
East London, featuring live contributions from Tenderlonious on flute,
Kieran McLeod on trombone, Tim Carnegie on drums, and Walters himself
on trumpet and synthesisers. Padmasana was mixed by Sam Interface at
More Time Studios.
[
file under: spiritual jazz ]
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